Puss in Boots The Last Wish movie review: fantastic life and death adventure | Hollywood

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The charismatic feline legend Puss in Boots is back on the big screen more than a decade after its spin-off Puss in Boots (2011). First introduced in Shrek 2 (2004), the swashbuckling feline was almost guaranteed to have his own adventures after he stole scenes in the animated sequel. But as time went on, Puss now has to struggle with his mortality as he is down to his last life in this final feat of arms. (Read also: People who love acting find success: Antonio Banderas)

Puss in Boots The Last Wish, co-directed by Joel Crawford and Januel Mercado, is a surprisingly deep and gripping look at life and death. The usually unflappable Puss, voiced by Antonio Banderas, must face life on a grand scale and face Death himself. Each department of the feature film has stepped up their game so that the film looks and feels great in a 3D rendering. Technically and visually, Puss in Boots The Last Wish has vastly improved over its previous film.

When confronted by Death himself in the form of a large, menacing wolf (voice of Wagner Moura), Puss panics and runs off to hide at the house of an old cat lady Mama Luna (voice of Da’ Vine Joy Randolph), as she sees the remnants of his former life. He befriends the skinny dog ​​Perrito (voice of Harvey Guillén) who disguises himself as a cat to survive. But his old life returns to adventure as Goldilocks (voice of Florence Pugh) and The Three Bears Crime Family (voices of Olivia Colman, Ray Winstone and Samson Kayo) try to recruit him to steal the latter’s map. wishing star of Big Jack Horner (voice of John Mulaney).

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Puss, now convinced he can bring back his nine lives, sets out on a separate mission to track down the star in the Dark Forest. Along the way, he runs into his old flame Kitty Softpaws (voiced by Salma Hayek Pinault) who still hasn’t forgiven him for their last meeting. Along with Perrito, Puss and Kitty try to outwit Goldi, the Bear family, and the cruel Jack into making the last wish themselves.

The sequences in the Dark Forest are more dynamic than the combat in the first Puss in Boots. The stakes are much higher here. The trio of Puss, Kitty and Perrito have some candid conversations about the state of their lives. While Puss and Kitty are much more cynical, sassy Perrito is an optimistic sweetheart who can melt anyone’s heart. He also induces laughter with his naive statements. Another highlight of the movie is when Puss and Kitty try to outdo each other by being cute and Perrito falls apart in the process.

The confrontation duels between the wolf aka Death and Puss are well executed and look like comic book panels come to life on screen. The presence of death lingering around every corner gives Puss great anxiety and the character is truly frightening when he intimidates Puss. Perrito comforts the frightened Puss during a heartwarming scene by resting his head on his stomach as he calms Puss through his panic attack.

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The screenplay of Puss in Boots The Last Wish by Paul Fisher and Tommy Swerdlow is moving and mature, discussing deeper themes that will resonate more with adults than with the film’s target audience, children. There are plenty of spectator gags and pratfalls to keep them engaged, but overall this sequel is deeply emotional in a way they might not understand. The film’s final message about family and togetherness doesn’t come across as preachy, but is heartfelt and heartfelt. The movie ends with a satisfying ending that promises Puss’s adventures aren’t over yet.

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